el dia del maestro
Today is "el dia del maestro" in Argentina (Teacher's day). I feel gratitude for all my teachers, in particular I remember my first dance teacher Maria Teresa at the National School of Ballet in Argentina. She was so sweet to me. And in tango, I pay may respects to el maestro Carlos Di Sarli. Do you know who Carlos Di Sarli is?
Di Sarli's musical style
In the beginning, his music had a simple structure, but over time it matured into a more lyrical, richer, playful and more subtle style which remained popular with tango dancers as it continued to have a clear dancing beat. This clean compás made him a favorite of beginning social tango dancers, while more advanced ones could enjoy the complexity and variations of his music. Because of this, di Sarli's orchestra was among the most popular ones during Carnival balls of his age and can still be heard at milongas in Buenos Aires and around the world today.
Di Sarli moved beyond the style of the guardia vieja of tango and Julio de Caro's avant-garde, preferring to forge his own style without concession to the fashions of the day. While being influenced by Fresedo early on, he soon established his own way. A talented piano player, he directed his orchestra from behind his own instrument. His recordings do not feature significant instrumental solos; the bandoneóns at times carry the melody but essentially play a rhythmical, milonguero role. Only the violins stand out, playing a short solo or a counterpoint melody. He recorded many tracks more than once over the years, often with different singers. Di Sarli's creativity was mostly limited to the left hand piano part, filling in, modulating and accenting his delicate and elegant dancing beat. His reputation for musical elegance got him his nickname El Señor del Tango (The gentleman of tango).
Some examples of his discography: